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Acoustic Design for the Home Studio

Acoustic Design for the Home Studio

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Author: Mitch Gallagher
Publisher: Artistpro
Category: Book

List Price: $19.99
Buy New: $12.87
You Save: $7.12 (36%)



New (19) Used (1) Collectible (1) from $12.87

Rating: 5.0 out of 5 stars 5 reviews
Sales Rank: 49582

Media: Paperback
Edition: 1
Pages: 264
Number Of Items: 1
Shipping Weight (lbs): 1.2
Dimensions (in): 9.1 x 7.3 x 0.7

ISBN: 159863285X
Dewey Decimal Number: 780
UPC: 082039532851
EAN: 9781598632859
ASIN: 159863285X

Publication Date: July 10, 2006
Availability: Usually ships in 1-2 business days
Shipping: International shipping available
Condition: Brand New, Perfect Condition, Please allow 4-14 business days for delivery. 100% Money Back Guarantee, Over 1,000,000 customers served.

Also Available In:

  • Paperback - Acoustic Design for the Home Studio

Similar Items:

  • Home Recording Studio: Build it Like the Pros
  • Critical Listening Skills for Audio Professionals
  • The Mixing Engineer's Handbook, Second Edition
  • Building a Recording Studio
  • Master Handbook of Acoustics

Editorial Reviews:

Product Description
With the advances in digital technology, musicians can now produce their own music at home. Over the years the gear has gotten much better, and musicians have learned a great deal about recording. So why do so many musicians and engineers have difficulty getting truly professional-sounding results? One reason? Acoustics. If the room you're working in has poor acoustics, it will be extremely difficult -- if not impossible -- to produce excellent results. You can't capture a true sound if the microphones don't hear the instruments and vocals correctly. You have to be able to hear what's truly going on with your tracks to make the proper decisions about editing, equalizing, processing, and mixing them. Acoustics can be a complex, math-laden science, but treating a room to make it sound great and function optimally as a recording studio needn't be difficult nor require hours in front of a calculator or computer screen. Improving a studio's acoustics can be simple and inexpensive -- all you need is some guidance. Acoustic Design for the Home Studio focuses on creating a greatsounding home or project studio in an existing room. It teaches the basic principles of acoustics that affect you in your home or project studio and how to solve any acoustical problems you may have without laying out much (or any) money. Whether you're converting a bedroom, a garage, a basement, or a corner of the living room, this book will help you improve the sound of the environment in which you're making music. The principles are easy to understand and the materials used for treating a room are readily available. Diagrams and photos of actual rooms created with the designs are included to illustrate concepts. Whether you want to pursue a no-cost solution, use "off -the-shelf" acoustic materials, or even splurge with an unlimited budget, you'll learn how to put your room together easily and effectively.


Customer Reviews:

5 out of 5 stars A great read for the Noivce to Expert!   June 30, 2008
SOULWOUND (NEW YORK)
I have read many articles online concerning acoustics as well as have had the pleasure of working in some wonderful million dollar + studios. I must say that this book is perfect for the Novice who is just getting into acoustics as well as someone like me who has a backing and understanding as well as experience in the field. For its price, I recommend it to EVERYONE!


5 out of 5 stars Getting past the basics   May 11, 2008
Alex S. Fishburn (Upland, CA USA)
2 out of 2 found this review helpful

Before this book I read Basic Home Studio Design by Paul White. This book was very introductory and helped me get somewhat comfortable with the terminology and some standard ways of treating rooms. br / br /Mitch Gallagher's book was definitely a step up from that. It was much more informative and introduced many ways of treating a room (broadband absorbers, bass traps, foam, ceiling clouds, etc.) br / br /This book will without a doubt help one get associated with acoustics. Read the book in its entirety. The only crucial thing that I don't think it focused on much was how to measure your room yourself (acoustically, for flutter echo, decay time, frequency response, etc.) br / br /But, it does give some information that one will be able to figure out and apply properly with a little internet research. br / br /All in all, a very good book that will be very helpful.


4 out of 5 stars Studio for the home recordist on the cheap   June 26, 2007
Lone Centrist (Seattle, WA)
9 out of 9 found this review helpful

There are a lot of books on setting up and working in a home studio - very few on treating the frequency response - fewer on doing it on the cheap using the room you have. This is such a book. The case studies are useful and after seeing a few, a pattern emerges and the mystique falls away and you realize that its not such a black art and you can do it yourself using various inexpensive materials. I definitely found this to be a great reasource for getting my room response under control while spending just a couple hundred dollars. br / br /This book is a gem.


5 out of 5 stars Tips on getting the most from such a project.   November 6, 2006
Midwest Book Review (Oregon, WI USA)
9 out of 9 found this review helpful

It used to be that musicians went to a professional studio to make recordings; but with all the advancements in computer and recording technology, such a studio is affordable for the home - and ACOUSTIC DESIGN FOR THE HOME STUDIO tells how to make a room perfect for the recording sound desired. Tips on how to sound-proof a home or project studio tell how to use an existing room, whether it be garage or bedroom, and provide diagrams, photos of revamped rooms, and tips on getting the most from such a project. br / br /Diane C. Donovan br /California Bookwatch


5 out of 5 stars Good Studio Design Regardless of your Budget   October 19, 2006
John Matlock (Winnemucca, NV)
10 out of 11 found this review helpful

The equipment available today at the 'advanced amateur' level far exceeds that which was available to the professional only a few years ago. But the quality of the recordings being made do not come up to professional standards. Apart from skill at using the equipment, the biggest difference is the studio where the work is being done. br / br /If the sound is being bounced all around the room in an uncontrollable manner, this will be recorded faithfully by the equipment. The equipment cannot distinguish the sounds you want (and hear) but takes in what your ears are rejecting. br / br /This is an excellent book that gives a bit of the theory of acoustics and studio design and then gives practical examples of studios that were constructed using these principles. There are a number of designs described which cover a range in cost from near nothing to designs that you'd better discuss with your wife before you start spending money. Most of these designs do not involve altering the basic structure of the room itself, just panels you might attach and then take down when you move. br / br /This book is an excellent introduction to a fairly arcane subject.