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The Biographical Encyclopedia of Jazz

The Biographical Encyclopedia of Jazz

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Creators: Leonard Feather, Ira Gitler
Publisher: Oxford University Press, USA
Category: Book

List Price: $29.95
Buy New: $10.95
You Save: $19.00 (63%)



New (29) Used (10) from $10.95

Rating: 4.5 out of 5 stars 2 reviews
Sales Rank: 228341

Media: Paperback
Pages: 744
Number Of Items: 1
Shipping Weight (lbs): 2.5
Dimensions (in): 9.9 x 6.9 x 1.8

ISBN: 019532000X
Dewey Decimal Number: 781
EAN: 9780195320008
ASIN: 019532000X

Publication Date: April 1, 2007
Availability: Usually ships in 1-2 business days
Shipping: International shipping available
Condition: Good Condition, delivery time 10 to 12 Working days, via Priority airmail from UK

Also Available In:

  • Hardcover - The Biographical Encyclopedia of Jazz
  • Digital - The Biographical Encyclopedia of Jazz
  • Digital - The Biographical Encyclopedia of Jazz

Similar Items:

  • The Penguin Guide to Jazz Recordings: Eighth Edition (Penguin Guide to Jazz Recordings)
  • The Oxford Companion to Jazz
  • The History of Jazz
  • The Billboard Illustrated Encyclopedia of Jazz and Blues
  • Richard Cook's Jazz Encyclopedia

Editorial Reviews:

Amazon.com Reviews
The Biographical Encyclopedia of Jazz series was Leonard Feather's franchise for decades, providing fans with large-format books that featured photos of jazzers and short bios detailing their background and recordings. When Feather passed away in 1994, though, his editorial partner Ira Gitler was left with the task of completing this new edition, then four years in development. It's much different from Feather's earlier volumes--The Encyclopedia of Jazz in the 60s, for example--opting for an all-text coverage and a standard-size hardcover, emphasizing perhaps the book's inarguable value as a reference. For historical purposes, the book is vastly important, giving extremely concise rundowns of musicians' lives--so concise, in fact, that most multisyllabic words are abbreviated. For contemporary players, though, especially Europeans, the volume is spotty. Trumpeter Joe Morris, who wrote "Punch & Judy" and played throughout the 1940s and '50s with Johnny Griffin, Elmo Hope, and others is certainly important. But what of the living Joe Morris, who's not a mainstream player but who nonetheless possesses amazing skills that reach at least as far as his predecessor? And while trumpet virtuoso Michael Philip Mossman is here, where is John Zorn? This isn't nitpicking on the mainstream so much as it is recognizing that books like Jazz: The Rough Guide have stepped up to address the skimpy coverage of living, thriving musicians.

Having said all that, it's vital to note Gitler and Feather's strengths: they've canvassed the past thoroughly, reaching to Italy to include reed dynamo Gianluigi Trovesi and pianist Giorgio Gaslini (but not trumpeter Pino Minafra or saxophonist Carlo Actis Dato). They've also caught key players from the early 20th century and from the peak bebop and hard bop eras, as well as the 1970s, when the avant-garde and fusion reigned in an oddly shaped jazz world. But these biographies were always Feather's and Gitler's strengths, making earlier by-decade editions of the Encyclopedia so important. --Andrew Bartlett

Product Description
Do you want to know when Duke Ellington was king of The Cotton Club? Have you ever wondered how old Miles Davis was when he got his first trumpet?
From birth dates to gig dates and from recordings to television specials, Leonard Feather and Ira Gitler have left no stone unturned in their quest for accurate, detailed information on the careers of 3.300 jazz musicians from around the world. We learn that Duke Ellington worked his magic at The Cotton Club from 1927 to 1931, and that on Miles Davis's thirteenth birthday, his father gave him his first trumpet. Jazz is fast moving, and this edition clearly and concisely maps out an often dizzying web of professional associations. We find, for instance, that when Miles Davis was a St. Louis teenager he encountered Charlie Parker and Dizzy Gillespie for the first time. This meeting proved fateful, and by 1945 a nineteen-year-old Davis had left Juilliard to play with Parker on 52nd Street. Knowledge of these professional alliances, along with the countless others chronicled in this book, are central to tracing the development of significant jazz movements, such as the "cool jazz" that became one of Miles Davis's hallmarks.
Arranged alphabetically according to last name, each entry of this book chronologically lists the highlights of every jazz musician's career. Highly accessible and vigorously researched, The Biographical Encyclopedia of Jazz is, quite simply, the most comprehensive jazz encyclopedia available.



Customer Reviews:

5 out of 5 stars Essential jazz reference book   March 24, 2005
Bomojaz (South Central PA, USA)
13 out of 13 found this review helpful

Back in the mid-1960s, as a high schooler just discovering jazz, I found a copy of Feather's "Encyclopedia of Jazz (1960)"; it was a revelation and fostered my enthusiasm and knowledge of the music and musicians. I still have it. But this completely new book is just as good, if not better. It contains brief biographical entries on 3,300 musicians covering all eras, styles, and genres under the wide umbrella of jazz. The entries, though concise, are thorough and trace each musician's career and recorded output. It should be on every jazz fan's shelf. Highly recommended.


4 out of 5 stars Jazz Reference   March 27, 2000
Morgan M. Chase (Vermont)
21 out of 22 found this review helpful

As a librarian, I can't begin to explain the value of this volume for use by students and other patrons wanting concise but informative biographical information on jazz musicians -- a very popular topic for school reports.

The entries may be short, but they are complete, and can serve as a starting point for further research.