The Encyclopedia of Japanese Pop Culture

Schilling doesn't cover most of what I remember from Japan. He doesn't cover rock music. He doesn't cover kogaru. He doesn't cover ramune or pocky. Honestly, on an encounter level with other similar books I've found myself insulted by the lack of knowledge presented in their so-called "encyclopedia". But with what he covers, he covers it well and authoratatively and with an expressed but not hideously overt sense of irony about the entire situation.

I've found myself keeping it for a reference piece because what he does cover tends to get incorporated into a lot of what he doesn't.


A good attempt   December 12, 2000
James R. Hoadley (United States)
19 out of 19 found this review helpful

Before you purchase this book, as yourself, "when have I ever seen a review of popular culture that covered everything?" The answer, probably, is never, and if so, this book won't change that. The author states as much in the introduction. Having said that, the book is very good at what it attempts to do, namely give novice readers a basic understanding of the key elements of Japanese popular culture in the post-War era. A book which covered every fad, popular music group, TV program and movie during that time period would be larger than several phone books and would have a hard time selling. What this book does well is describe, in a fair amount of detail, the important cultural icons, from Misora Hibari and Sazae-san, through Pink Lady and Doraemon, ending with SMAP and Sailor Moon. If you're looking for a primer on Japanese pop culture over the last 50 years, this is the book. If you already have deep personal knowledge or are interested in only one thing (like anime), you may be disappointed. One other small problem with the book is that because it is in print form, the information is fixed in time, but Japanese culture goes on. In other words, some of the stuff in this book is dated. The concept of the book might better be served by a web site, but I doubt that Mr. Schilling could make a profit with such a site. If anybody decides to try though, please let me know. I'd visit!


Japanese popular culture you might not know about   October 27, 2000
3 out of 3 found this review helpful

Instead of cataloging the people and subcultures on the commercial fringe that Americans and other non-Japanese may be more familiar with, Schilling takes care to give the reader a broad view of actual Japanese pop culture from the post-WWII period through the mid-nineties. As to the criticism that Schiller chose to leave many things out of his encyclopedia: any other 320 page encylopedia on pop culture that spanned fifty years would be much the same. As Schiller says himself in the Introduction, "The book could easily have contained twice as many articles, but I tried to put more emphasis on depth than breadth of coverage ..." I feel I now have a better understanding of Japanese 20th century pop culture, not just of the quirky, fringe, or subcultural elements that happen to make their way to other countries or have a large presence on the internet.