Electrovoice Co9 Cobalt Series Professional Microphones | 
 enlarge | Brand: Electrovoice
Category: CE
List Price: $206.00
Buy New: $69.00
You Save: $137.00 (67%)
Sales Rank: 142716
Autographed: No
Memorabilia: No
Shipping Weight (lbs): 1
MPN: CO9
Model: CO9
UPC: 701001090099
EAN: 0701001090099
ASIN: B0002OMO8U
Availability: Usually ships in 1-2 business days
Shipping: Expedited shipping available
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| Features:
| • | Element: Dynamic Neodymium magnet structure | | • | Frequency Response: 50 Hz to 18 kHz | | • | Polar Pattern Cardioid | | • | Impedance: Low-Z balanced (600 Ohms) | | • | Microphone:Connector 3-pin, XLR-type |
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| Editorial Reviews:
Product Description
* Element: Dynamic Neodymium magnet structure * Frequency Response: 50 Hz to 18 kHz * Polar Pattern Cardioid * Impedance: Low-Z balanced (600 Ohms) * Microphone:Connector 3-pin, XLR-type * Polarity: Pin 2 positive, referenced to pin 3 w/positive pressure on diaphragm * Finish: Durable polyurethane paint * Materials: Die cast zinc housing * Length 6.7 in. (170 mm) * Diameter 2.1 in. (53 mm) * Shank .85 in. (22 mm) * Weight: Net 11.8 oz. (335 grams) * Shipping 29.9 oz. (848 grams) * Accessories included Stand adaptor (black) * Gig bag General Product Description The Co9 is a favorite among vocalists across all musical genres. Regardless of the live performance application,sound technicians & engineers feel confident w/this mic. A slight bass roll-off & accentuated midrange make this a superb,world-class sound transducer. Microphone Use & Placement Please note that miking techniques are a matter of personal preference.These are merely guidelines to assist in the placement of the microphone to gain optimal performance. Usage Optimal Placement Vocals Zero to six inches from the windscreen, & on axis w/the microphone. Spoken Word Five to ten inches from the windscreen, & on axis w/microphone Standard Placement & Use Guidelines 1.Always point the microphone @ the desired source of sound,and away from any unwanted sources. 2.The microphone should be located close to the sound source to minimize interference from other potential sound sources. 3.Use the 3-to-1 rule when using multiple microphones. Place each microphone three times farther from other microphones as from the desired sound source. 4.Minimize over-handling of the microphone to reduce unwanted mechanical noise. 5.Working close to the microphone will increase the bass tone & also provide increased gain-before-feedback.
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